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Hannah. Acrylic on canvas, 160 x 160 cm. 2012. White Shirt. Acrylic on canvas, 120 x 100 cm. 2011. Straight. Acrylic on canvas, 100 x 100 cm. 2010. Tabletop (small). Acrylic on canvas, 100 x 100 cm. 2009. Inbetween (big). Acrylic on canvas, 190 x 230 cm. 2008. |
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Shine Kong Sudden Attack. Oil on canvas, 116.5 x 91 cm. 2009. Visitors. Oil on canvas, 116.5 x 91 cm. 2009. Toilet. Oil on canvas, 61 x 50 cm. 2010. (Source: arariogallery.co.kr) |
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Kyung Sunghyun 9 PM. Oil on canvas, 90.9 x 72.7 cm. 2007. 12 PM. Oil on canvas, 90.9 x 72.7 cm. 2007. Waiting. Oil on canvas, 130.3 x 162.2 cm. 2007. (Source: arariogallery.co.kr) |
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Green Kiss / Red Embrace (Disjunctive). Four black and while photographs with oil tint, 156 x 192”. 1988. I Will Not Make Any More Boring Art. Lithograph, 22 x 30”. 1971. Goya Series: And, The Same Elsewhere, Strange. Ink jet and synthetic polymer paint on canvas, 6’ 3” x 60”. 1997. |
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Siren Song. Powdered pigments and solvents on aluminum, 28 x 28”. 2012. Songs of Melusina 4, 1, and 2. Powdered pigments and solvents on aluminum, 24 x 24” each. 2012. |
"The painter makes real to others his innermost feelings about all that he cares for. A secret becomes known to everyone who views the picture through the intensity with which it is felt. […] A painter’s tastes must grow out of what so obsesses him in life that he never has to ask himself what it is suitable for him to do in art."
-Lucian Freud, Some Thoughts on Painting (1954)
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Claude Monet Champ d’avoine (Oat Field). Oil on canvas, 36 × 48”. 1890. Rouen Cathedral: The Portal (Sunlight). Oil on canvas, 39 x 26”. 1894. Rouen Cathedral Façade and Tour d’Albane (Morning Effect). Oil on canvas, 42 x 29”. 1894. Morning on the Seine near Giverny. Oil on canvas, 32 x 37”. 1897. (Source: metmuseum.org) |
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Carbon Geometry (series). Carbon drawing on carbon trace, 30cm x 40cm each. Strings 3. Monoprint, 15cm x 15cm. 2006. Green String Sequence 1 and 4. Graphite and oil on canvas, 30cm x 30cm each. 2007. Synapse Loose Drawing 1, 3, and 6. Graphite and oil on paper, 30cm x 30cm. 2011-2012. |
"It’s common practice in contemporary art to rely heavily on critical supplements to provide the conceptual content. But in illustration, the critical content and image can be structured together metaphorically. This involves the invention or search for a new metaphoric structure that acts as a transformational link between the idea and image."
-Mark Tansey, Notes and Comments (1992)
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Various drawings. 2013. Extracts from “Der Bär”. 2011. |
"I am sometimes asked “What is your objective?” and this I cannot truthfully answer. I work “from” something rather than “towards” something. It is a process of discovery and I will not impose a convenient dogma, however attractive."
-Bridget Riley, Statement (c. 1968).
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Underworld. 50 x 65 cm. 2011. Floating World. 107 x 213 cm. 2012. Stream. 114 x 143 cm. 2012. Spring. 56 x 76 cm. 2010. Wash. 114 x 144 cm. 2012. |
